2016 Performances

Manifesto

December 7, 2016–January 8, 2017

““It is both a confirmation of Blanchett’s sheer presence and acumen as an actor and Rosefeldt’s shrewdness and intellect as an artist. Manifesto is worth every minute””
–Sydney Morning Herald

Featuring Cate Blanchett, this film installation reinterprets artistic manifestos from the past century as poetic monologues for a contemporary audience.

Ryan Trecartin & Lizzie Fitch

November 21, 2016

“The most consequential artist to have emerged since the 1980s.”
–The New Yorker on Ryan Trecartin

Video artist and sound designer Ryan Trecartin is joined by his principal collaborator Lizzie Fitch to present their buoyant, digitally-inflected scores live for the very first time.

Kate Royal & Joseph Middleton

November 18–20, 2016

“Ms. Royal produces an attractive, fully focused sound... [and has] an ability to offset the polished surface of a trained voice with the passion and the sense of collective memory, however illusory, that folk singers bring to their art.”
–The New York Times

British lyric soprano Kate Royal is equally at home on the recital stage, the “elegant, thoughtful singer” (The New York Times) comes to the Armory to perform an artfully-curated selection of lieder and song by Robert and Clara Schumann, Mahler, and Samuel Barber.

JACK Quartet

October 30—31, 2016

“Every JACK concert transcends a run-of-the-mill performance and becomes a true event.”
–Time Out New York

This virtuosic young ensemble perform the world premiere of Pulitzer Prize-winning composer Roger Reynolds’s FLiGHT, an exploration of humankind’s aspirations to fly through musical composition for string quartet, real-time computer-derived sound, readings, and projections.

Camille Norment & Craig Taborn

October 16, 2016

“Ms. Norment’s instruments can trespass the border between what is considered beautiful and what is considered noise.”
–The Wall Street Journal

Multimedia artist Camille Norment and electronic musician Craig Taborn partner for the very first time in a presentation that traces the fringes of sound, perception, and historical memory and perfectly marries with the varying aesthetics of the space.

Artist Talk: Circle Map

October 14, 2016

Kaija Saariaho, designer Jennifer Tipton, conductor Esa-Pekka Salonen, and Park Avenue Armory Artistic Director Pierre Audi discuss Circle Map.

Circle Map

October 13—14

“To journey into Saariaho’s music is to be confronted with the darkest and most dazzling dimensions of your subconscious.”
–The Guardian (UK)

The revered New York Philharmonic returns to the Armory for the New York premiere of Finnish composer Kaija Saariaho's Circle Map, a new work for orchestra and electronics that builds out from six stanzas by the 13th-century Persian poet Rumi, and D'om la Vrai Sens. The evening also includes the U.S. premiere of Lumiére et Pesanteur as well as Lonh, a work that combines medieval love poetry sung by rising soprano Jennifer Zetlan with an electronic score that manipulates sounds from nature to evoke a distant, luminous landscape.

Sonia Wieder-Atherton & Bruno Fontaine

October 7—8, 2016

“Sonia Wieder-Atherton has created a tribute to Nina Simone that is more than the sum of its parts and a world away from a straightforward set of cover songs.”
–The Strad

Having delighted Armory audiences in 2015 with her program of Benjamin Britten’s powerful suites and Sylvia Plath’s haunting poetry, renowned cellist Sonia Wieder-Atherton returns to the Board of Officers Room with the North American premiere of a program that boldly re-imagines the radical, sometimes fierce music of Nina Simone.

Lucy Raven

September 29—30, 2016

“Raven is poised to map a newly emerging regime by which filmic spaces are set.”
–Art In America

Lucy Raven comes to the Veterans Room to reimagine her work Tales of Love and Fear, a unique instance of cinema that is as much a film as it is a kinetic sculpture performing the architecture of the space it inhabits.

Artist Talk: Taryn Simon

September 24, 2016

Artist Taryn Simon discusses the creation of and process behind her latest work with special guests.

Taryn Simon: An Occupation of Loss

September 13–25

“One of the leading artists to understand our moment in history.”
–Interview Magazine

Groundbreaking artist Taryn Simon creates an immersive new work unlike any other, in which the subjects themselves become the objects of exhibition. Simon directs and designs both an environment and experience created specifically for the drill hall that defies mediums and the lines between performer and viewer. Experienced after sundown under the cover of darkness, this multifaceted work – at once intensely solitary and somberly communal – blends performance, sound, and architecture.

Andreas Ottensamer & José Gallardo

September 7—9, 2016

“One of the leading clarinetists working today.”
–The Independent (UK)

Born into a musical family in Vienna, clarinetist Andreas Ottensamer dabbled with the piano and cello before taking up the clarinet. The young Austrian prodigy makes his North American recital debut in the Board of Officers Room with a program the perfectly showcases what the clarinet can do in a space that highlights the sheer beauty of chamber music.

Martin Creed Curatorial Talks

June 18—July 30, 2016

Join the Armory’s curatorial assistant for insightful, hour-long conversations with artists, scholars, cultural leaders, and social trailblazers, who offer new points of view and unique perspectives on this inventive British artist and his largest survey to date.

Milford Graves & Deantoni Parks

June 13, 2016

“Multi-percussionist Milford Graves generate[s] all sorts of musical fire.”
–All About Jazz

The art of music making gets examined through the lenses of science and technology in this thrilling double bill of music and projection by two percussion pioneers, seminal drummer Milford Graves and musician Deantoni Parks.

Martin Creed: The Back Door

June 8–August 7, 2016

“Clever, dumb, smart and stupidly gorgeous. Whatever Creed does …he brings a joyousness, lightness and objectivity to the task.”
–The Guardian (UK)

Turner Prize-winning, British artist Martin Creed continues his ongoing exploration into rhythm, scale, and order in his largest installation in the U.S. to date, a survey of his work from its most minimal moments to extravagant, larger-than-life installations. Crossing all media including painting, drawing, music, dance, theater, film, sculpture, fashion, and more unclassifiable items such as runners or lights going on and off, his practice transforms the everyday into surprising meditations on existence and the invisible structures that shape our lives.

Andreas Scholl & Tamar Halperin

May 21—22, 2016

“It might be a new Golden Age of the countertenor, but few can equal the sheer beauty of tone and dramatic instinct displayed by Andreas Scholl.”
–BBC Music Magazine

Andreas Scholl, who possesses one of the most beautiful countertenor voices of his generation, comes to the Board of Officers Room with a program that explores the poetry and artistic expression of the English Renaissance and Baroque at the height of the voice type’s original popularity.

Conrad Tao & Tyshawn Sorey

May 20. 2016

“ferociously talented”
–Time Out New York on Conrad Tao

Pianist and composer Conrad Tao is joined by multifaceted percussionist and instrumentalist Tyshawn Sorey for solo performances and dynamic dual improvisations that blend their unique talents and unparalleled artistic vision, this unique pairing allows both musicians to step outside their disparate styles to share the same space together for an exciting and rarely-heard musical dialogue.

Anohni: HOPELESSNESS

May 18—19, 2016

“The long low sexy beats, the skittering colorful and playful rhythms surround her voice, which is the silky center... She has replaced the stories of abandonment, pain and desire with the biggest issues of our time.”
–Laurie Anderson

Park Avenue Armory and Red Bull Music Academy are proud to present the world premiere of Anohni’s live show for her new album Hopelessness. Featuring original films co-directed by Anohni and Australian artist Lynette Wallworth, the celebrated singer, composer, and visual artist will bring her politically charged masterpiece to audiences in an environment unlike any other.

Confrontational Comedy

May 1, 2016

Kathleen Hanna of the band The Julie Ruin, formerly of Bikini Kill, emcees an afternoon of comedy sets headlined by Hari Kondabolu, featuring Negin Farsad and Leighann Lord, followed by a conversation focused on the power of humor to confront stereotypes and engage audiences around uncomfortable topics.

Kristof Baráti & Klára Würtz

April 27—28, 2016

“Baráti’s performance was, in a word, masterful. Probing, austere, meditative, it rang with a rare sense of authenticity and almost majestic scope.”
–The Washington Post

Having received rave reviews for their recording of Beethoven sonatas, celebrated duo Kristóf Baráti and Klára Würtz arrive at the Armory to interpret a selection of these wondrous works.

Pauline Oliveros & IONE

April 1—2, 2016

“Oliveros’s compositions will enrich your musical imaginations, but she’ll also expand your ears… and maybe even your soul, too.”
–The Guardian (UK)

American composer and accordionist Pauline Oliveros is joined by noted author, director, and dream specialist IONE to present a Deep Listening Intensive, exploring the difference between the involuntary nature of hearing and the voluntary, selective nature of listening through movement and sonic, interactive meditations.

Roomful of Teeth

March 31—April 1, 2016

“Roomful of Teeth is making some of the most rigorously venturesome and thrillingly inventive music being made by any ensemble, vocal or instrumental, today.”
–The Nation

Having been heralded as “blazing a new trail” in choral music by The New Yorker, Roomful of Teeth perform a program of works that include Elliot Cole’s Hanuman’s Leap and others that redefine vocal music for the 21st century.

Artist Talk: De Materie

March 26, 2016

Composer Louis Andriessen, director Heiner Goebbels, conductor Peter Rundel, and Park Avenue Armory Artistic Director Pierre Audi discuss the creation of DE MATERIE with dramaturg Cori Ellison.

Four Different Ways: Celebrating Louis Andriessen

March 25, 2016

Bang on a Can co-founder Julia Wolfe, composer Nathan Michel, and Princeton University Professor of Music Donnacha Dennehy join John Schaefer to discuss the wide-ranging impact composer Louis Andriessen has made on contemporary music.

De Materie: Matter & Spirit

March 24, 2016

WNYC personality John Schaefer engages director Heiner Goebbels, Columbia University Professor of Music George E. Lewis, and composer Missy Mazzoli in a conversation about the complexities of themes in DE MATERIE.

Louis Andriessen & Jason Moran

March 23, 2016

“Moran is like no other pianist at work. His improvisations are dynamic, eruptive, keyed to the compositions at hand.”
–Village Voice

Dutch contemporary composer Louis Andriessen is joined by pianist Jason Moran for an evening spotlighting these jazz influences as well as other improvisations. This artfully-curated set for two pianos gives a contemporary context to musical improvisation, moving this extemporaneous art form from its origins in the time of Bach and Beethoven to the modern age.

De Materie

March 22–30, 2016

“Epic … an unclassifiable hybrid of theatre, narration, singing, instrumental music and philosophical reflection … [with] absolutely compelling materiality”
–The Guardian (UK)

Visionary director Heiner Goebbels stages this monumental work in a highly-imaginative production that infuses the work's journey through a sequence of non-narrative tableaus with stunning visual imagery to help convey its meaning, with references to Mondrian and Madame Curie as well as floating zeppelins and a flock of sheep. The International Contemporary Ensemble takes on the sonically varied score.

Lindemann Young Artists Concert

March 8—10, 2016

Hear a preview of three of these soon-to-be opera greats from the program – soprano Clarissa Lyons, mezzo-soprano Rihab Chaieb, and tenor Kang Wang – in intimate evenings of song in the Board of Officers Room.

Jason Moran

March 7, 2016

“Jason Moran [is] shaping up to be the most provocative thinker in current jazz.”
–Rolling Stone

Having released nine of his own albums in addition to over 30 recordings with others, Moran has garnered international acclaim including a Grammy nomination for Best Jazz Album in 2014. He inaugurates the Veterans Room with a performance of works for solo piano, commemorating the auspicious occasion with a live recording for future release.

Two Souls, Two Thoughts: The Art of African American History

February 26, 2016

“One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”
–W. E. B. Du Bois

In collaboration with the Aspen Institute Arts Program, the Park Avenue Armory has gathered artists, writers and cultural commentators to share their unique, ongoing, and evolving engagements with African American history. Moderated by writer and podcast host Stacia Brown, participants include vocalist and composer Imani Uzuri, multi-media artist Jasmine Murrell, novelist and playwright Darryl Pinckney, photographer and professor Deborah Willis, and writer Carl Hancock Rux.

Roderick Williams: Swan Song

February 4—5

“Williams has an enviable reputation, thanks to his handsome vocal quality, open-minded approach to repertoire and warm, unaffected stage persona.”
–The Financial Times (London)

Baritone Roderick Williams makes his North American recital debut with a performance of Schubert’s 'Swan Song,' elucidating the songs with interspersed poetry and readings by Jenny Agutter for a poignant and heartfelt evening that could only be felt in the perfectly intimate setting of the Board of Officers Room.

Lisette Oropesa & John Churchwell

January 12—13, 2016

“… with blistering power and assurance, as well as a range of vocal colors and emotional shadings, [Oropesa] is one to watch.”
–The Boston Globe

Lisette Oropesa has been taking the opera world by storm. She performs a program of Spanish art songs as well as works by Schubert and Schumann, offering audiences the chance to get to know this star on the rise in one of the only spaces that could provide such an intimate encounter – the Board of Officers Room.

Support for Park Avenue Armory’s artistic season has been generously provided by The Andrew W. Mellon Foundation, Booth Ferris Foundation, The Shubert Foundation, the Fan Fox and Leslie R. Samuels Foundation, the Marc Haas Foundation, the Leon Levy Foundation, the Juliet Lea Hillman Simonds Foundation, and the Isak and Rose Weinman Foundation.