2014 Performances

tears become… streams become…

December 9, 2014 — January 4, 2015

“How many times have you cried in your life? How much fluid have you given to the world? Every day, every week, every month… A field of water.”
–Douglas Gordon

​Art, music, and architecture converge in the latest work by Turner Prize-winning artist Douglas Gordon and acclaimed pianist Hélène Grimaud. This site-specific installation features an immense field of water that harnesses light, reflection, music, and sound to amplify and transform the Wade Thompson Drill Hall, encouraging viewers to acknowledge their surroundings and reexamine one of the most historic spaces in New York.

St. Matthew Passion

October 7 - 8, 2014

“Astonishing … I challenge you not to be an emotional wreck by the end of it.”
–The Guardian (London)

Renowned for his highly original takes on operatic works, Peter Sellars ritualizes this magnificent masterpiece to create a communal grieving process while illuminating Bach’s unmatched gift for presenting both deep hardship and the possibility of transcendence. This radically inclusive approach eliminates the separation between artist and audience — there are no spectators, only observers and participants —with musicians and singers moving amongst each other.

The Passenger

July 10—13, 2014

“In Mieczyslaw Weinberg’s holocaust opera The Passenger, we have one of the most unflinching engagements with this subject ever made.”
–The Daily Telegraph (UK)

Visionary director David Pountney brilliantly stages this landmark work, taking audiences on a voyage from the stylish deck of the luxury liner to the squalor of a Nazi death camp where cruelty, despair, and unspeakable courage are evident in equal measure. Conductor Patrick Summers leads the Houston Grand Opera Orchestra and Chorus through Weinberg’s emotionally-searing score.

Macbeth

May 31 – June 22, 2014

“Hearts beat fast in the thrilling new 'Macbeth' that has transformed the Park Avenue Armory into a war zone, and every breath starts to feel like a gasp.”
–The New York Times

Shakespeare’s classic tale of ambition and treachery gets a thrilling new life in the U.S. premiere of the electrifying production by Rob Ashford and Kenneth Branagh, following its acclaimed sold-out run at the Manchester International Festival in England. Kenneth Branagh is joined by Alex Kingston, in their highly-anticipated New York stage debuts, as the once great leader and his adored wife, who incites him to sell his soul in the quest for greater power.

The xx

March 19—29, 2014

“[A] mesmerizing performance at the Park Avenue Armory … that often seemed as much like an art installation as a concert, and felt at every moment like a dynamic, self-aware commentary on the issue of scale.”
–The New York Times

Support for Park Avenue Armory’s artistic season has been generously provided by The Andrew W. Mellon Foundation, Booth Ferris Foundation, The Shubert Foundation, the Fan Fox and Leslie R. Samuels Foundation, the Marc Haas Foundation, the Leon Levy Foundation, the Juliet Lea Hillman Simonds Foundation, and the Isak and Rose Weinman Foundation.