An extraordinary collaboration connecting the dark, intense music and visual work of Robert Del Naja of Massive Attack with the thought-provoking vision of documentary filmmaker Adam Curtis, this site-specific event is a new kind of imaginative experience that integrates music, film, politics, and breathtaking moments of illusion in a hallucinatory ride through the dreams and hidden realities of our strange, anxious age.

Staged by Donmar Warehouse Artistic Director Josie Rourke, this new work by British playwright Matt Charman explores Kasparov’s dramatic battle with Deep Blue and its wunderkind inventor as the world breathlessly watched on live television.

Adding a touch of malice to subjects that have been traditionally revered for their innocence or purity, McCarthy weaves together a massive, fantastical forest of towering trees with grotesque video projections of iconic characters playing out their own fairy tale drama in a replica of his childhood home.

Karlheinz Stockhausen is one of the most significant composers of modern and electronic music. Performed by one of his original collaborators Kathinka Pasveer, the maverick composer’s OKTOPHONIE from his opus Licht gets an exciting new life in an epic production of this monumental composition.

A multisensory affair, the event of a thread draws together readings, sound, and live events within a field of swings that together invite visitors to connect to the action of each other and the work itself, illuminating the experience of the singular and collective body, the relationship between the animal and the human.

The largest sound installation to date by artists Janet Cardiff and George Bures Miller, The Murder of Crows is a compelling “sound play” that envelops the audience in an unexpected physical and aural environment. Moving and weaving through ninety-eight speakers mounted within the cavernous Drill Hall, the work narrates a captivating and confounding melodrama, investigating concepts of desire, intimacy, love and loss.

Legendary choreographer Trisha Brown brings her company to the Armory’s Drill Hall for the restaging of Astral Converted, with visual and costume design by Robert Rauschenberg and original music by John Cage.

In two epic evenings, the New York Philharmonic will explore the spatial qualities of the Armory’s soaring, 55,000-square-foot Wade Thompson Drill Hall with four iconic works in which the orchestra members surround the audience.

Artist Tom Sachs takes his SPACE PROGRAM to the next level with a four week mission to Mars that recasts the 55,000 square foot Wade Thompson Drill Hall as an immersive space odyssey with an installation of dynamic and meticulously crafted sculptures. Using his signature bricolage technique and simple materials that comprise the daily surrounds of his New York studio, Sachs engineers the component parts of the mission—exploratory vehicles, mission control, launch platforms, suiting stations, special effects, recreational amenities, and Mars landscape—exposing as much the process of their making as the complexities of the culture they reference.

Comprised of five separate programs over the span of four days, the Tune-In Music Festival will feature Glass’s own music, including his definitive work Music in Twelve Parts, as well as music, poetry, and art created and performed by his muses, collaborators, and protégées.